While most of her fifth album was not recorded before the birth of her son Rocko in May 2005, the singer met several producers and songwriters in preparation of her album during her pregnancy, involving Missy Elliott and her regular co-producers Cainon Lamb and Craig Brockman as well as Bryan Michael Cox and Jermaine Dupri, with Dupri again taking over executive production duties alongside Monica after Elliott had replaced him in this position on After the Storm following the retooling of original album All Eyez on Me (2002). The following year, she announced that she was expecting her first child. It debuted at number one on the US Billboard 200, her first album to do so, and produced three singles that attained Billboard chart success, including chart topper " So Gone". In June 2003, following several revamps and numerous delays, J Records released Monica's fourth studio album After the Storm in the United States. Jermaine Dupri reteamed with Monica to executive produce The Makings of Me.
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The Makings of Me earned a Soul Train Music Award nomination in the Best R&B/Soul Album – Female category and was reissued in April 2007, featuring free ringtones for " The First Night", a free cellphone wallpaper, and a blow-in card was sold by Walmart. Disappointed by its performance, Monica later expressed her discontent of the album's promotional campaign.
Subsequent singles such as " A Dozen Roses (You Remind Me)" and " Sideline Ho" failed to chart on the Hot 100 or sell noticeably on any other chart. The Makings of Me produced four commercial singles, with "Everytime tha Beat Drop", a collaboration with rap group Dem Franchize Boyz, becoming the album's only entry on the Billboard Hot 100. A moderate commercial success in general, it became her lowest-selling full-length effort up to that point. The Makings of Me debuted at number eight on the US Billboard 200 and became her first album to top Billboard 's Top R&B/Hip-Hop Albums chart, with first week sales of 93,000 copies. Criticism mainly targeted the trendchasing character of snap-influenced lead single " Everytime tha Beat Drop", as well as the album's occasionally unremarkable production. Their vocals and arrangements set the stage for even BRITNEY SPEARS vocal arrangements (of course the songwriters did as well).The album was released to mostly positive reception from music critics, who applauded Monicas's vocal performances and cited the album a solid addition to her catalogue. I could cry how much this album has INSPIRED me.Īnd the vocal talent of Monica……WOW! It gives me goosebumps! Put respect on songstress Monica! Her and Debra Killings sound AMAZING together. The album is just as fresh and fly today as it was in 1995. Dre wrote and played instruments on Miss Thang….it is a project blessed with so much talent it’s crazy. Something is unique about the sound of “Miss Thang”! Talent coming straight off “The Chronic” sessions with Dr. The look and feel of the album….super producer Dallas Austin moving to New York being set up officially as an executive by Clive Davis and Monica stepping out her comfort zone shooting iconic images for the album in New York is a freshness actually in the FEELING of the album. It’s so weird but I always have seen the recording sessions while listening to this album even as a very young teen. When I listen to the album I literally SEE the now legendary trio of exceptional talent that is Dallas Austin, Monica and Debra Killings. The beautiful Monica! Monica’s “Miss Thang” is a hallmark in contemporary R&B/Pop.
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